here for the Call to Vashon Writers: Guidelines & Vashon Link Resources
is a one-time only performance of Eve Ensler's show The Vagina Monologues,
and it is being performed here on Vashon as part of the VDay
initiative to raise funds for the Island
Domestic Violence Outreach Services (IDVOS).
Sunday, March 3rd, 4pm @ Vashon
Vashon Island, WA
The VDay initiative was started by Eve Ensler, author of The Vagina Monologues,
as a way to host worldwide performances of the play while raising money
and awareness for domestic violence outreach service organizations around
the world. The VDay
Foundation hosts lots of information and merchandise at their own website
This Vashon performance of The Vagina Monologues is being produced and
directed by Lynann Politte and the proceeds from this event will benefit
Domestic Violence Outreach Services (IDVOS) here on Vashon. While
this show is performed by women about female issues, it is not just a
show for women. You will find humor and sensitivity here about traditionally
taboo issues. Politte points out, "Everyone should see this show.
In the words of Audre Lourde, 'Silence does not protect you.' These taboos
should be demystified, equalized, and talked about. That's how we can
change thinking, and thereby, in this case, change the horrible incidences
of violence against women."
We at KotaPress take this notion even further and offer the idea that
these performances and awareness/fund raising events, offer us ways to
save lives of people. Our work here at KotaPress is about helping
families stay together after the death of a child. We are working to try
and prevent stillbirth so that more families will see healthy, live births
in the first place-- thereby saving the lives of children and keeping
families intact. The Vagina Monologues is about whole families, too. If
you stop violence on the domestic level, you save the lives of women,
the lives of unborn children, you educate the boys and girls involved
in families, you stop domestic violence where men, too, are being violated.
You save the lives of people.
No, this isn't just about women. The 19 Vashon women who are performing
in this play (see cast list below!), Lynann Politte who is producing
and directing, IDVOS who is benefiting from this performance-- all of
these people are saving the lives of other people. You,
too, can help in this mission. Buy a ticket today for just $15 and come
see a great show! Call Screaming Mimi's at 206-463-0552 to get your ticket
using Visa or M/C. If you can't get to Vashon, then click thru to the
website and find a performance near you. Get into the act and save
Many thanks to Buttonstampede
for their work on our "Vagina Friendly" buttons!
Resident of Vashon Island for 11 years. I was born under a
sign of strong diverse interests, mercurial change and eclectic talents.
Hence, this decade, I find myself the mother of an 8 year old daughter,
member of the Board of Development of Island Teens (D.O.I.T.), caretaker
of home and hearth, and a collage artist. Why am I doing this play? The
lure of the Monologues was irresistible...and February can feel sooooooo
Cynthia proudly hails from Buffalo (where she learned to make
great chicken wings), spent most of her young adult life in New England
(earning degrees in library science and industrial engineering), and came
to Seattle over 12 years ago. She has been on Vashon 2 years and wonders
why she didn't get here sooner. During the day and some nights, she is
a Corporate Program Manager for Adobe. The rest of the nights, she sings
with the Vashon Voices, hunts down extra voiceover work and enjoys watching
the ferries go in and out near her home with her partner Kayleen.
Although a Vagina Monologue Virgin, Cynthia is no stranger to cutting
edge productions. One of her fondest memories is seeing the rambunctious
musical "Hair" on Broadway when she was just 13! This lead her
to pursue acting and singing in high school and college albeit with her
When asked what brought her to participate in the Monologues Cynthia
told us, "I have known too many women whose lives have been irrevocably
altered by abuse. This is my gift to them - a celebration of our woman-ness,
a voice to fill the silences, and a prayer for health and wholeness."
Lover of life, communications and movement. Dancer. Performer. Teacher.
Devoted mother and friend. Communer with nature. Knower of what it takes
to be warm, put food in my belly and listen, feel, sense what is said,
live simply, chop wood/haul water. An extra pair of hands with a heart.
What brought me to audition for the Vagina Monologues? My sister who
died in 1994 from domestic violence. I am here to honor her life and struggle
and turn tragedy into gold. Her life was not for naught. I have been profoundly
lost and deeply at unrest as I grieve and search for the kernels of wisdom
embedded in her murder. The monologues is the perfect way to weave my
love of performance, communication, ensemble, empowerment of women, walking
the edge, sparking insight, growth and healing for myself and others.
I am profoundly grateful for this opportunity to help and to stand up
to this challenge.
Kajira Wyn Berry
Kaj participates in many livescalligrapher, writer, editor, photojournalist,
painter, pilot, feminist, devoted mother and grandmother, Islander since
1975each of which contribute to her joyful participation in The
Born and raised in Australia. Vashon resident for 6 years. Mother of 6,
grandmother of 2.
American Airlines Flight Attendant, on LOA, currently pursuing painting,
First time on stage - drawn to the issues explored through family history
and earlier work
with Committee to Aid Abused Women in Nevada.
Sarah Christine is very honored and thrilled to be in this amazing production
and to be amongst such a great group of women. "This play is so powerful
because it has the ability to really touch people. It is filled with truth
and honesty, something I am passionate about. It is so important that
women share their stories and experiences, and to feel confident in their
own feminine power. All over this world women have been degraded and made
to feel inferior. But it is time to HEAL, RECONNECT, RECLAIM and CELEBRATE
women and our VAGINAS!!! After seeing this play performed I have found
myself saying the word Vagina more than I ever have in my life, and its
very empowering. I hope that everyone who sees this production, will get
over the fear of the word..."
Sarah has been involved in theatre and music since she was a teenager.
She has been in many productions such a Sound of Music (as Maria) Oklahoma
(as Laurie) Much Ado About Nothing (as Beatrice) and most recently Drama
Docks Wait Until Dark (as Suzy) to name a few. Sarah is a also a singer/songwriter
with a style all her own blending conscious folk with lyrics of truth,
love and freedom. Contact Sarah at firstname.lastname@example.org
Laurie Gail Geissinger
Laurie was raised in Dallas,Texas and attended the University of Califonia
Santa Barbara, completing degrees in Environmental Studies and Geography.
After moving to Vashon Island twenty-five years ago, she became the mother
of one awesome son. She has been employed as a wrangler, horseback riding
instructor, park ranger, cartographer, lobbyist, environmental analyst,
electromagetic fields (EMF)and health consultant, and special projects
coordinator for a municipal artist-in-residence. It's true she makes tantilizing
tamales. She has never set foot on stage. It is true she loves tractors,
is a champion powerlifter and makes tantilizing tamales.
Caryl received her theatre training at Rutgers University and The Stella
Adler Theatre Studio in NYC. She is a practicing psychotherapist, but
makes occasional appearances in local productions such as Steel Magnolias
and Artichoke. She has participated in Islewilde and other drama, drama
therapy, and storytelling performances and workshops, including a season
touring with the UMO childrens program. Caryls major ongoing
role is as Noahs mom.
When asked what the Vagina Monologues means to her, Caryl replies, Being
female is about more than body parts, so why do a play about vaginas?
We have rightly complained about being objectified by others, and yet
many women have become estranged from our own essential part, the vagina.
This play, to me, is about stepping further into the mystery and intrigue
of what it means to be a woman unabashedly.
Laura has dappled in theatre her whole life. From playing the role of
Pepper in Annie to Rosalind in Lou Hetlers production of Moon Over
Buffalo, Laura has particularly enjoyed comic relief. She is currently
employed with the Vashon Park District and has a strong understanding
of community dynamics. Laura felt that this production offered her the
opportunity to educate our island as well as support a worthy cause outside
of her normal role at the park. Her participation in The Vagina Monologues
is a tribute to the beauty and depth of sisterhood, both blood and water.
She attributes this respect and love to Heather, Molly, Meghan, Sarah,
her mother and grandmothers. Laura points out that she has no strong feminist
reactions to the play, in fact, her husband helped her to create her character
but she does want to point out that violence can and does happen, even
to beautiful people, in beautiful places, during beautiful times.
An actor, instructor, and voice and dialect coach for over 20 years, Kathryn
has worked in most of Seattle's major theaters, including Seattle Repertory
Theatre, ACT, Intiman, Empty Space, The Group and Seattle Children's Theatre.
Prior to teaching at Cornish, she taught in the BFA Actor's Training Program
at Ithaca College and at the KIIS Broadcasting Workshop in Los Angeles.
Major roles in the theater have included: Annie Sullivan in The Miracle
Worker, Clytemnestra and Thetis in The Greeks, Lady Bracknell in The Importance
of Being Earnest, Dull Gret/Angie in Top Girls, Miss Elena in Dear Miss
Elena, Madame Giselle in The Workroom, and multiple roles in Sarajevo:
Behind GodÕs Back, The Dining Room, and Wenceslaus Square. Her
film and television credits include Seven Hours to Judgment, NBC's Hot
Pursuit, CBS's The Lame Duck, and ABC's Mystery Dance. During her 20-plus
years at Cornish, she has directed You Can't Take It with You, Mother
Courage, Fen, E/R, Dark of the Moon and Pericles Unchained, among others.
Kathryn received a BS from the State University College of New York at
Brockport and her MA from the State University of New York at Binghamton,
where she studied and taught with Arthur Lessac.
Kara L.C. Jones
One of the founders of KotaPress, graduate of Carnegie Mellon University,
poet, artist, guerrilla bookmaker, author, performer, friend, lover, wife,
mother to a stillborn son, and a million other nouns and adjectives. Kara
fights the good fight every day to raise awareness and save the lives
of children and families through her expressive arts work at KotaPress
and with the MISS Foundation. Helping to put a stop to domestic violence
is another way to help save the lives of children, and so Kara is volunteering
her time and performance along with all the other wonderful womyn in this
play as a way to raise funds for IDVOS. You can reach her through KotaPress
In Erin's varied career, she has been an attorney, a rock and roll singer,
a photographer, and a writer of poetry and plant identification books.
Her current incarnation is as a naturalist, ethnobotanist, and columnist
for the Vashon-Maury Ticket. She runs a kids nature camp in the summer,
homeschools in the winter, and teaches adult nature studies classes year
round. Erin thinks it is thrilling to be able to work closely with so
many beautiful and inspiring women in preparing for the Monologues. She
was drawn to audition because she thinks it's about time to reclaim the
word vagina as just another body part and not a dirty word.More information
about Erin Kenny can be found on her web site at www.nwherbs.org.
Joan M. McCabe
Joan has lived on Vashon since 1985, and given birth to both her children
here. Ordained as a minister in 1983, she went through five years of seminary
and commuted off-island to her former church for ten years before realizing
she could serve God by performing weddings and volunteering in school.
Joan also is a spiritual teacher, has been giving psychic readings for
twenty years, and is a Steward of the Findhorn Foundation in Scotland.
Joan grew up overseas and lived in Berlin, London, New Delhi, Stockholm,
and Ottawa. Her first calling was to the theatre and after college she
went to Drama School in London. Personal tragedies redirected her life
to more inward pursuits. For the last eleven years, Joan has worked with
families and individuals affected by the disease of alcohol. Because of
this experience and also her personal experience in recovering from a
background of emotional and psychological abuse, the Vashon Monologues
holds an important place in her heart and she feels extremely privileged
to be a part of this profoundly moving work.
Susan was last seen on stage in l958 in the feature role of Sally Etta
Pickle in a Drama Club production of The Bean Town Choir at Franklin Elementary
School in Santa Monica, California.
After leaving her short-lived career in the theater, Susan spent far too
many years trying to please her parents and working for men in jobs she
describes as "cleaning up after the elephants". Once she'd had
enough of that shit, she finished a degree in Art History at the University
of Washington and began working as a Reproductive Health Care Counselor
at Planned Parenthood. Go figure. Susan moved to Vashon with her husband
Jim in 1998 and established EiEiO Animal Farm, where she happily raises
goats, collects eggs, and works with kids in our community.
Kay Richardson is a performing and healing artist who thoroughly enjoys
island life. She loves acting, dance, singing and drumming and moved to
Seattle from Texas in 1995 to study at Freehold Acting Studio. In '98
she went to Heartwood Institute in Northern California to combine Bodywork
with her background as a Family Therapist. She then moved to Vashon three
years ago to be in nature and a community where she could integrate her
Kay felt honored to be featured in the 2001 Women of Wisdom Jazz Opera,
Temple Dreams as Amazon Chief. On the island, she has fun playing with
the band Foxfire and with Islewilde! She is thrilled to be part of The
Vagina Monologues as she is focused on healing divisions between male
and female within and without.
I'm 17 (the youngest one in the cast), and I have lived on this acursed
island for over half of my life. I am a fashion designer and am going
to start modeling soon. I have two sisters, and it is tough being the
oldest. But being the oldest Ialso feel responsible for my sisters. Growing
up on Vashon, we have been basically sheltered, and as kids we feel very
secure. However I think that being a part of the Vagina Monologues is
proving to be a very good eye opener. . . things do happen close to home.
I was born in 1928, long before many things we take for granted today.
However, the first tv was sold for $50.00 in 1928 and Calvin Coolidge
was President . I am retired, love Vashon Island, am a professional writer
(meaning that I write a column and get paid) and enjoy community theater
immensely. I think the Vagina Monologues are a great idea and am proud
to be part of the project. I have a number of theater credits, my favorite
being the role of Mother Superior in Nunsense. I have two adult children,
five grandchildren and three great grands. I am currently working on my
autobiography so could send you several thousand words in a heartbeat,
but will restrain myself.
I am not one of those actors who began their careers at five, unless fifty
counts. I came to acting rather like I came to children, late in life.
I was in my first play in 1989 at the tender age of 48 just before we
moved from New York. Shortly after arriving on lovely Vashon Island, I
became involved with the Northwest Actors Studio taking classes, being
in small productions, and most recently, I completed the Conservatory
Program culminating this past fall in a show case production of A Subway
Farce by Tony Curry. I became involved with the Vagina Monologues most
serendipitously, and it has been a wonderful, opening, and challenging
experience. I knew essentially nothing about the Monologues nor the movement
growing up around them. Becoming aware has opened me in surprising and
delightful ways. I have lived on Vashon for approximately 10 years. I
am a wife and mother of four boys and work with a remarkable special needs
child at Chautauqua School, as well as being an actor.
Thea is thrilled to be involved in this exploration and celebration of
women's lives and sexuality.
Producer/Director, Lynann Politte
SHOW IS SOLD OUT!!!